STRANGE TALES 112 (1963)
written by Stan Lee & Jerry Siegel
pencils by Dick Ayers
cover by Jack Kirby
Jerry Siegel writes under the pseudonym “Joe Carter”: DC didn’t like its writers to work for Marvel.
![]()
We being with the Torch trying to get a reaction from the public and failing spectacularly.
![]()
Quite an accomplishment to be ignored when you’re on fire!!!
![]()
Since this series is trying its best to try the Spider-Man formula on the Torch, he gets his own J. Jonah James on the form of TV commentator Ted Braddock.
![]()
The Torch confronts Braddock in his studio, and it goes just about as badly as you’d imagine.
![]()
Then the Eel makes his sudden debut: stealing an invention by using his super-helicopter.
Dude, I don’t want to tell you how to be a supervillain, but at least pick a theme and stick to it!
![]()
Then again, his main gimmick is that his costume makes him super-slippery… and the first time it’s used it’s not even shown!!!
![]()
He also kind of shoots electricity. Kind of.
![]()
He doesn’t even know WHAT he stole!
![]()
Which is both a good and a bad thing, since that’s A POCKET ATOMIC BOMB!!!
![]()
See, that’s what happens when you don’t know what you’re stealing!
![]()
Reed offers the Fantastic Four’s help, but it’s actually the bomb’s inventor that gives the Torch the gadget that will find the Eel.
![]()
Aaaand the Torch immediately loses it.
Note the dialogue proving TONS of exposition. I guess Jerry Siegel wasn’t really used to the Marvel Method or didn’t have great chemistry with Stan Lee and Dick Ayers, because look at the size of the speech bubbles!
![]()
Just look at the tiny Thing, crushed by the weight of that balloon!
![]()
I checked: that panel is literally 83% speech balloon and only 17% artwork.
SEVENTEEN PERCENT!!!
That panel is so hilarious that I have a hard time following what they’re saying.
Anyway, the Eel dumps the bomb to get the authorities off his back.
![]()
Once the Torch finds him, the Eel “fights” him with the Aqua Attractor Gun ™ that he stole.
Okay that’s a little closer to the Eel theme than the helicopter, but come on.
![]()
At least the Eel gets to use his electric shock gimmick… which proves useless because it reactivate the Torch’s “molecular flames”.
![]()
Sounds legit.
At least the Eel is smart enough to realize that he’s WAY out of the Torch’s league.
![]()
The Eel reveals where he hid the bomb, but there’s no more time: the Torch’s flame molecules (WTF!?) warn him that it’s about to explode… AND IT DOES.
![]()
Then the Torch SIPHONS THE ATOMIC BLAST INTO THE STRATOSPHERE.
![]()
That made no sense whatsoever but was SO badass!!!
The Torch’s in pretty bad shape after this stunt: his only chance is for Reed Richards to pull a solution out of absolutely nowhere.
![]()
That was impressive enough for Braddock to confess that he was hard on the Torch only because he envied his “spunk and mighty powers”.
![]()
Subtle.
He also gets to announce the bad news: Reed’s treatment was ineffective and the Torch is dying!
![]()
Just kidding! LITERALLY NEXT PANEL:
![]()
And so we end with the Thing, who had promised himself that he’d go easy on the Torch if he recuperated, giving us the only funny line in the story.
![]()
Historical significance: 3/10
The Eel will become a minor villain that will fight whoever needs a street-level thug, even getting a successor once he’s killed off.
Silver Age-ness: 10/10
On the DC scale this would barely be a 4/10, but the absolutely-out-of-nowhere crazy inventions at Marvel tend to come from known super-geniuses, not from random scientists we’ll never see again. And the Torch’s powers make even less sense than usual this time.
Does it stand the test of time? 0/10
You can definitely tell that Stan Lee and Jerry Siegel have too many stylistic differences to work well together. The plot is clumsy, the Eel is completely wasted, Braddock is a childishly simplistic character, and of course who can forget those speech bubbles!?
![]()